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FORCE: Drawing Human Anatomy (Force Drawing Series)
Ebook Free FORCE: Drawing Human Anatomy (Force Drawing Series)
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About the Author
Michael Mattesi has authored four FORCE books, published in numerous languages, utilized around the world to inspire and educate artists on the concept of FORCE. He has instructed FORCE Drawing for over twenty years and inspired thousands of artists. Simultaneously, Michael has been contributing his skills as a professional artist on numerous award-winning projects in varied capacities and has collaborated with Pixar, Walt Disney Feature Animation, Walt Disney Consumer Products, Marvel Comics, Hasbro Toys, ABC, Microsoft, Electronic Arts, DreamWorks/PDI, Zynga, The School of Visual Arts, Beijing University, Art Center, Scuola Internazionale di Comics, San Jose State University, The Academy of Art University, Nickelodeon, LeapFrog and many others. Michael’s students occupy all fields of the art industry and have themselves gained prestige for their abilities. Michael lives in northern California with his wife and two daughters. Visit him at: DrawingFORCE.com
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Product details
Series: Force Drawing Series
Paperback: 331 pages
Publisher: CRC Press; 1 edition (December 31, 2016)
Language: English
ISBN-10: 0415733979
ISBN-13: 978-0415733977
Product Dimensions:
7.5 x 0.5 x 10 inches
Shipping Weight: 1.7 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
15 customer reviews
Amazon Best Sellers Rank:
#156,117 in Books (See Top 100 in Books)
This book is fantastic.Recently I went through Aaron Blaise's Anatomy video course and I have to say that I've gotten far more from this book. I looked this book up today to find recommendations based on it and I found a scathing review that I had to stand up and disagree with.First, this book will teach where important muscles and bones are located and why they are there; very key emphasis on why. Mattesi goes at length to illustrates the human mechanism as an intricate yet flowing form. If you want to improve your ability to draw the human form with movement and life, this book will help you immensely.The negative review I read mostly complained about lack of depth/detail, and of Mattesi failing to stuff every page to the margin. The second complaint was of frequent pixelated images.I disagree with these criticisms. Mattesi has over three hundred pages of illustrations that break down each group of muscles, who through text/image explains the function of each muscle group in their relation to the rest of the muscles and skeleton. I prefer Mattesi's focus and how adamant he is to not clutter every page. Each page is economic and focused, in describing one function at a time. This book is far easier to understand than others that try to cram every page with as much information as possible.Pixelated images are there but they are few, far fewer than the other reviewer claimed. I've provided two pictures showing the first two pixelated images I found (on pages 56 and 114). They are hardly “painful to look at.â€My favorite thing about this book is how Mattesi, an industry expert and master, spends the first 56 pages explaining his views on shape and functionality. How to apply basic art fundamentals to the illustration of compelling anatomy. It was the perfect refresher before entering the much meatier portion of the book that goes into greater detail on much smaller portions of anatomy.The book is printed on matte paper that’s really easy to make notes on.
I really love the other force books and was extremely excited to obtain this book to study from (I'm in an illustration anatomy class). I was however disappointed upon taking an in depth look.The lessons and content seemed to be spread much thinner in this than in other books in the series. Each page was not put to its fullest use, with illustrations blown up hogging more room than necessary. Each section on different groupings of muscles has sort of sparse examples for what I expected: e.g. One diagram of thigh muscles, then two pages of legs squatted and stretched, no more. Something else that dismayed me is that the cover illustration IS the only of its kind. It's level of finish is not the norm. Compare this to Loomis' figure drawing books where each inch of every page is densely packed with expressive example drawings. Also his finished drawings number about 1 out of every 4, which is helpful in bringing concepts taught in the text to full circle via demonstration in complete works.About one third of the drawings are pixelated to the point of being obnoxious to look at. I suspect that the images were not properly linked to the Indesign file, which will give you that problem. I went back and forth and back and forth trying to decide whether this was enough to push me over the edge to return the book (I wanted to love it!). I rationalized that since it IS an art book, there isn't an excuse for the poor image quality, especially since the problem seems to stem from sloppy/careless/rushed production work.In addition to this, the design choices were not very good. The text was (perhaps overly) colorful at chapter headings and had no respect for the margins, making it annoying to read. In short, it gave me the impression of improfessional design work. (I'm not a snoot face! But. . .I am a graphic designer, and no respect for margins screams amateur. Okay. Maybe I am a snoot face. In that case forgive me!) The design work may not bother everyone, and it does not completely sabotage utility (emphasis on COMPLETELY), but the quality/professionalism can (and should) definitely be upped.I would not be satisfied to keep this book in my own library, especially not for the $50.00 spent (paperback). I'd love to see the above mentioned issues resolved and am hopeful that they will be. Perhaps in a couple years the image problems will be addressed (and I'd like it if they refined the design), but for now my interest in this book is dead.
I own about 40 different books on Comic book style art which is all stylized someone recommended Hogarth's book instead of this bookWell Burn Hogarth also faked his drawing skills his stuff looks good but it's not exact. Sure he taught at the School of Visual Arts for decades and drew Tarzan. This book brings it all together it might be really loose but that is what Art is if you want realism just look at another person =) This isn't a how to draw book as well if you can't draw this book won't help you but it can help move the pencil in ways with drawing you can omit stuff or include stuff in anatomy to make it more realistic or individual.Mike uses Hinges Bones and tendons and muscle groups that are color coded throughout the book.
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